At the height of their pro­duc­tiv­i­ty as Bea­t­les, nei­ther Paul McCart­ney nor John Lennon could read or write music nota­tion. Clear­ly it did­n’t keep them from mak­ing a cul­tur­al impact, and as with so much else in life, they regard­ed it humor­ous­ly. As McCart­ney has said, they used to liken them­selves to ancient Egypt­ian pharaohs, who relied on scribes rather than being lit­er­ate them­selves. It’s worth con­sid­er­ing whether, all things con­sid­ered, this inabil­i­ty was real­ly a defi­cien­cy: not being rig­or­ous­ly schooled in the tra­di­tions and con­ven­tions of music could have giv­en them just the free­dom they need­ed to cre­ate fresh songs. And if you’ve strug­gled with pro­cras­ti­na­tion, have you con­sid­ered liken­ing your­self to Leonar­do da Vin­ci?

“Leonar­do’s dif­fi­cul­ties with stick­ing to tasks were per­va­sive from child­hood,” says a Sci­enceDai­ly sum­ma­ry of a 2019 paper by clin­i­cal neu­ro­sci­en­tist Mar­co Catani. “Accounts from biog­ra­phers and con­tem­po­raries show Leonar­do was con­stant­ly on the go, often jump­ing from task to task.” Regard­ing his life at a dis­tance of half a mil­len­ni­um, we may con­sid­er Leonar­do not just a genius but a high­ly pro­duc­tive one, with a body of work includ­ing numer­ous inven­tions built and unbuilt as well as paint­ings like Lady with an Ermine, The Last Sup­per, and the Mona Lisa — which near­ly joined the man’s pile of aban­doned projects. As Nico­las Cole writes at Inc., schol­ar­ship sug­gests that Leonar­do “paint­ed the Mona Lisa on and off for a few years start­ing in 1503, left it unfin­ished, and didn’t com­plete it until close to his death in 1519.”

“While paint­ing The Last Sup­per, Leonar­do would some­times stare at the work for an hour, final­ly make one small stroke, and then leave,” writes Wal­ter Isaac­son in his biog­ra­phy Leonar­do da Vin­ci. His expla­na­tion: “Men of lofty genius some­times accom­plish the most when they work least, for their minds are occu­pied with their ideas and the per­fec­tion of their con­cep­tions, to which they after­wards give form.” When the non-Renais­sance men of the world say things like that, it comes off as self-aggran­diz­ing excuse-mak­ing. Many, per­haps most of us have spent so much time telling our­selves we’re prepar­ing for a task that it just became anoth­er means of pro­cras­ti­na­tion. But “pro­cras­ti­nat­ing like Leonar­do requires work: it involves gath­er­ing all the pos­si­ble facts and ideas, and only after that allow­ing the col­lec­tion to sim­mer,” notes Isaac­son.

Not that the patrons frus­trat­ed by Leonar­do’s fail­ures to deliv­er could always keep that in mind. After he worked at the Vat­i­can for three years, Pope Leo X dis­missed him with the judg­ment that he would nev­er accom­plish any­thing, “for he begins by think­ing of the end of the work, before the begin­ning.” Even Leonar­do him­self made a deathbed apol­o­gy “to God and Man for leav­ing so much undone.” Hav­ing exam­ined the nature of both Leonar­do’s chal­lenges and his bril­liance, Catani comes to the con­clu­sion that he exhib­it­ed traits con­sis­tent with a con­di­tion only giv­en a name well with­in liv­ing mem­o­ry, Atten­tion Deficit Hyper­ac­tiv­i­ty Dis­or­der (ADHD). When we find our­selves com­pul­sive­ly flee­ing from the incom­plete work at hand, we’d do well to bear in mind not just Leonar­do’s exam­ple, but also the words of apho­rist Aaron Haspel: “We all suf­fer from a clus­ter of psy­cho­log­i­cal dis­or­ders; it used to be known as per­son­al­i­ty.”

Relat­ed con­tent:

The Neu­ro­science & Psy­chol­o­gy of Pro­cras­ti­na­tion, and How to Over­come It

What Is Pro­cras­ti­na­tion & How Can We Solve It? An Intro­duc­tion by One of the World’s Lead­ing Pro­cras­ti­na­tion Experts

The Art of Struc­tured Pro­cras­ti­na­tion

Miran­da July Teach­es You How to Avoid Pro­cras­ti­na­tion

Leonar­do da Vinci’s To-Do List from 1490: The Plan of a Renais­sance Man

Medieval Monks Com­plained About Con­stant Dis­trac­tions: Learn How They Worked to Over­come Them

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

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