The term apocryphal may sound antiquated, but any reasonably serious reader encounters it fairly often, even in recently published texts. In the modern usage, it usually describes words or events that, despite probably never having been spoken or taken place, tend to be cited as if they had. Hochelaga creator Tommie Trelawny says that the word comes from a Greek term meaning “hidden,” and was used to refer to disputed texts not included in the mainstream Bible. Some churches acknowledge these apocrypha, and others reject them. As for what the unpredictable and often bizarre material, even by biblical standards, in these “hidden books,” that’s what Trelawny explains in his new video above.
In the book of Tobit, a highly unfortunate man and woman receive salvation from the angel Raphael, who uses fish guts to cure their physical and demonic afflictions. In the book of Judith, the titular Israelite widow deceives and slays the Assyrian general Holofernes, a scene immortalized by Caravaggio (and rendered even more viscerally, as previously featured here on Open Culture, by Artemisia Gentileschi).
In one chapter of the book of Daniel, the titular prophet plays the lawyer in a kind of courtroom drama that has a couple of men getting their comeuppance for falsely accusing a woman of adultery; in another, he turns detective, investigating the matters of a statue said to come alive at night and a dragon being worshipped as a god.
There’s quite a bit more, all of it eventful, none of it universally accepted among the holy texts of Christianity. The peculiar status of the apocrypha dates back to the fourth century, when the scholar Jerome embarked upon a translation of the Bible into Latin. This first required gathering up all extant versions of the book, which didn’t necessarily agree with each other: one, written in Greek, included quite a few more books than the Bible in Hebrew. It was Jerome who, unable to confirm these extra books’ authenticity, labeled them “apocrypha,” placing them in a section that eventually got them regarded as a kind of second canon: “deleted scenes,” as Trelawny puts it, accompanying the feature that is the Bible. As for the extent to which they reflect the auteur’s true vision, that can only be — and remain — a matter of debate.
Related content:
Christianity Through Its Scriptures: A Free Course from Harvard University
Every Book of the Bible Explained in One Video
The Gnostic Gospels: An Introduction to the Forbidden Teachings of Jesus
The Dead Sea Scrolls: Discover the Secrets of the Bible’s Oldest and Strangest Texts
Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. He’s the author of the newsletter Books on Cities as well as the books 한국 요약 금지 (No Summarizing Korea) and Korean Newtro. Follow him on the social network formerly known as Twitter at @colinmarshall.
