Some suc­cess­ful Hol­ly­wood pro­duc­ers spend their mon­ey on yachts, sports teams, and Euro­pean cas­tles. Nor­man Lear’s biggest pur­chase, or at least his most famous one, was a copy of the Dec­la­ra­tion of Inde­pen­dence. He did not, of course, buy the kind of repro­duc­tion any tourist can pick up at the gift shop of a major Amer­i­can his­toric site, but a “Dun­lap broad­side,” one of 200 or so run off by Philadel­phia print­er John Dun­lap on the very night of July 4th, 1776. After hand­ing over $8.1 mil­lion in exchange for the doc­u­ment in 2001, Lear put it on tour, and it there­after made years of pub­lic appear­ances all around the coun­try, includ­ing at the 2002 Olympics, Super Bowl XXXVI, and the Live 8 con­cert in the city where it was made.

Lear’s pur­chase also inspired a film, as it might well do for any man with his con­nec­tions. Co-pro­duced by Lear and the late Rob Rein­er, anoth­er Hol­ly­wood enthu­si­ast of Amer­i­can pol­i­tics, the 2001 short at the top of the post cap­tures a dra­mat­ic read­ing of the Dec­la­ra­tion of Inde­pen­dence by a line­up of big stars of the day, includ­ing the likes of Michael Dou­glas, Winona Ryder, Edward Nor­ton, Renée Zell­weger, and Beni­cio del Toro.

Their per­for­mances were all shot togeth­er at Inde­pen­dence Hall in Philadel­phia by Con­rad Hall, the famed cin­e­matog­ra­ph­er of Cool Hand Luke, Butch Cas­sidy and the Sun­dance Kid, Marathon Man, and Amer­i­can Beau­ty, on  July 4, 2001.

These 25 years lat­er, the film remains an invig­o­rat­ing refresh­er on what the Dec­la­ra­tion of Inde­pen­dence actu­al­ly says. Don’t think of it as the next best thing to read­ing that hal­lowed doc­u­ment: as Mor­gan Free­man tells us in his intro­duc­tion, Thomas Jef­fer­son “intend­ed for the dec­la­ra­tion to be per­formed, and not just read. Its words and rhythms were writ­ten to be spo­ken, in proud and defi­ant tones in grand pub­lic places.” His fel­low thes­pi­ans deliv­er them with the aplomb of a coun­try that under­stood itself as supreme in the world, though one does now feel a cer­tain irony in their speak­ing in the mid-sum­mer of 2001, just months before that con­fi­dence would be ter­ri­bly shak­en. Amer­i­can his­to­ry, it turned out, had not yet end­ed; even now, on the 250th anniver­sary of the Unit­ed States’ inde­pen­dence, it may have just bare­ly begun.

Relat­ed con­tent:

Fred­er­ick Douglass’s Fiery 1852 Speech, “The Mean­ing of July 4th for the Negro,” Read by James Earl Jones

John Trumbull’s Famous 1818 Paint­ing Dec­la­ra­tion of Inde­pen­dence Vir­tu­al­ly Defaced to Show Which Found­ing Fathers Owned Slaves

Read George Washington’s “110 Rules of Civil­i­ty”: The Code of Decen­cy That Guid­ed America’s First Pres­i­dent

Meet “Found­ing Moth­er” Mary Katharine God­dard, First Female Post­mas­ter in the U.S. and Print­er of the Dec­la­ra­tion of Inde­pen­dence

Bertrand Russell’s 10 Com­mand­ments for Liv­ing in a Healthy Democ­ra­cy

John Wayne Recites the Pledge of Alle­giance

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

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