Perhaps you’ve had the experience of moving to a new city and immediately being told that you’ve missed its golden age of live music. To an extent, this has happened in more or less every period of the past fifty or sixty years. But what if the person regaling you with those stories had an archive of more than 10,000 concert recordings to back them up? Chicago’s Aadam Jacobs has made just such an archive, and a few years ago he and it became the subject of Katlin Schneider’s documentary Melomaniac. Apart from their stories of Jacobs’ exploits with his increasingly bulky recording rig, the various rock musicians and club owners interviewed therein express one concern above all: what will become of all his tapes in the future?
As so often, the Internet Archive has come to save the day. At its newly opened Aadam Jacobs Archive, you can now listen to nearly 2,500 of the concert recordings that volunteers have digitized and uploaded so far. In that more than a terabyte of files, you’ll find concerts by Nirvana, Phish, Tracy Chapman, Depeche Mode, Flaming Lips, Stereolab, Liz Phair, Sonic Youth, Nick Cave and the Bad Seeds, Björk, They Might Be Giants (recorded four times in 1988 alone), and the Mekons, among many others.
If you have a certain taste in rock — and especially if you belong to a certain generation — you may well, in the fullness of time, find a Jacobs-recorded show by your favorite band. But you’re just as likely to discover a performance by the best act you’ve never heard of before.
Pursuing his avocation of concert-recording with the industriousness of a professional, and indeed an obsessive one, Jacobs captured multiple shows each night at the height of his activity. He has his particular tastes, as emphasized in Melomaniac, but also demonstrates remarkably little discrimination about which bands are “cool” and which aren’t, to say nothing of their level of commercial success. When Chicago musicians first saw Jacobs’ familiar long-haired, heavy-backpacked figure turn up at their own shows, they knew they had a chance of “making it.” Even so, as Jacobs acknowledges, there’s scant correlation between which bands blew up, which bands he likes as people, and which bands have created his favorite records. His tapes constitute a valuable record of the sound of Chicago between the eighties and the twenty-tens, and it will only grow more so, the more accessible it becomes. But as we enjoy it, we should also bear in mind the efforts of the man who created it, and the love of music he personifies. Enter the archive here.
via Kottke
Related content:
The Live Music Archive Lets You Stream/Download More Than 250,000 Concert Recordings–for Free
Stream a Massive Archive of Grateful Dead Concerts from 1965–1995
Free Archive of Audio Interviews with Rock, Jazz & Folk Legends Now on iTunes
Nirvana Before They Were Nirvana: Watch Their 1988 Performance Recorded in a Radio Shack
Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. He’s the author of the newsletter Books on Cities as well as the books 한국 요약 금지 (No Summarizing Korea) and Korean Newtro. Follow him on the social network formerly known as Twitter at @colinmarshall.
