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    Home»Education»Online Learning»The 100 Greatest Novels of All Time, According to 750,000 Readers in the UK (2003)
    Online Learning

    The 100 Greatest Novels of All Time, According to 750,000 Readers in the UK (2003)

    kumbhorgBy kumbhorgOctober 20, 2025No Comments7 Mins Read
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    The 100 Greatest Novels of All Time, According to 750,000 Readers in the UK (2003)
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    In the eigh­teenth cen­tu­ry, the read­ers of Europe went mad for epis­to­lary nov­els. France had, to name the most sen­sa­tion­al exam­ples, Mon­tesquieu’s Let­tres per­sanes, Rousseau’s Julie, and Lac­los’ Les Liaisons dan­gereuses; Ger­many, Goethe’s Die Lei­den des jun­gen Werther and Hölder­lin’s Hype­r­i­on. The Eng­lish proved espe­cial­ly insa­tiable when it came to long-form sto­ries com­posed entire­ly out of let­ters: soon after its pub­li­ca­tion in 1740, Samuel Richard­son’s Pamela — by some reck­on­ings, the first real Eng­lish nov­el — grew into an all-encom­pass­ing cul­tur­al phe­nom­e­non, which Richard­son him­self out­did eight years lat­er with Claris­sa. Alas, when the BBC sur­veyed the pub­lic two and three-quar­ter cen­turies lat­er to deter­mine the most beloved nov­el in the U.K., nei­ther of those books even made the top 100.

    With the pos­si­ble excep­tions of Bram Stok­er’s Drac­u­la (#104) and Mary Shel­ley’s Franken­stein (#171) — two works of nine­teenth-cen­tu­ry hor­ror that make use of a vari­ety of tex­tu­al forms, let­ters includ­ed — the rank­ings pro­duced by “The Big Read” includ­ed prac­ti­cal­ly no epis­to­lary nov­els. (Nor did eigh­teenth-cen­tu­ry works of any oth­er kind make the cut.) What hap­pened to the lit­er­ary genre that had once caused such a nation­al craze? For one thing, Jane Austen hap­pened: nov­els like Pride and Prej­u­dice, Emma, and Per­sua­sion revealed just how rich a sto­ry could become when its nar­ra­tion breaks away from the pen of any char­ac­ter in par­tic­u­lar, gain­ing the abil­i­ty to know more about them than they know about them­selves. Not for noth­ing did all three of those books per­form well on The Big Read the bet­ter part of 200 years after they came out; Pride and Prej­u­dice even came in at num­ber two.

    The top spot was tak­en by J. R. R. Tolkien’s Lord of the Rings tril­o­gy: an under­stand­able out­come, giv­en not just its ambi­tion but also its mas­sive and endur­ing pop­u­lar­i­ty and influ­ence. Still, one does won­der if Peter Jack­son’s block­buster film adap­ta­tions, released in the years lead­ing up to the poll, might have had some­thing to do with it. Sim­i­lar sus­pi­cions adhere to the likes of Cap­tain Corel­li’s Man­dolin (#19), Amer­i­can Psy­cho (#185), The Beach (#103), and Brid­get Jones’s Diary (#75), all of which pro­vid­ed the basis for major motion pic­tures around the turn of the mil­len­ni­um. Umber­to Eco’s The Name of the Rose, one of a scat­ter­ing of trans­lat­ed nov­els to make the list, also got the Hol­ly­wood treat­ment, but it’s worth remem­ber­ing that the book itself sold so well that its Eng­lish trans­la­tor could use his roy­al­ties to build an addi­tion to his Tus­can vil­la called the “Eco Cham­ber.”

    Apart from Austen, the oth­er nov­el­ists with mul­ti­ple books on The Big Read­’s top 100 include Stephen King, who also has three; Thomas Hardy, with four; and Charles Dick­ens, with sev­en. Those are, in any case, some of the nov­el­ists for adults. The abid­ing British appre­ci­a­tion for chil­dren’s lit­er­a­ture shows in the high rank­ings of Roald Dahl, who secured a great many votes with even less­er works like The Twits and Dan­ny, the Cham­pi­on of the World; J. K. Rowl­ing, who would have ben­e­fit­ed from the height of Har­ry Pot­ter mania in any case; and the pro­lif­ic Dame Jacque­line Wil­son, whose four­teen nov­els on the list place her sec­ond only to Sir Ter­ry Pratch­et­t’s fif­teen. It could be that his com­ic-fan­ta­sy sen­si­bil­i­ty, sat­u­rat­ed with both the out­landish and the mun­dane, res­onat­ed unique­ly with the British psy­che. Or, as Pratch­ett him­self says in the BBC’s Big Read tele­vi­sion broad­cast, “it could just be that I’m quite pop­u­lar.”

    In total, more than 750,000 read­ers par­tic­i­pat­ed in the Big Read poll. Find read­ers’ top 100 books below:

    1. The Lord of the Rings, JRR Tolkien

    2. Pride and Prej­u­dice, Jane Austen

    3. His Dark Mate­ri­als, Philip Pull­man

    4. The Hitch­hik­er’s Guide to the Galaxy, Dou­glas Adams

    5. Har­ry Pot­ter and the Gob­let of Fire, JK Rowl­ing

    6. To Kill a Mock­ing­bird, Harp­er Lee

    7. Win­nie the Pooh, AA Milne

    8. Nine­teen Eighty-Four, George Orwell

    9. The Lion, the Witch and the Wardrobe, CS Lewis

    10. Jane Eyre, Char­lotte Bron­të

    11. Catch-22, Joseph Heller

    12. Wuther­ing Heights, Emi­ly Bron­të

    13. Bird­song, Sebas­t­ian Faulks

    14. Rebec­ca, Daphne du Mau­ri­er

    15. The Catch­er in the Rye, JD Salinger

    16. The Wind in the Wil­lows, Ken­neth Gra­hame

    17. Great Expec­ta­tions, Charles Dick­ens

    18. Lit­tle Women, Louisa May Alcott

    19. Cap­tain Corel­li’s Man­dolin, Louis de Bernieres

    20. War and Peace, Leo Tol­stoy

    21. Gone with the Wind, Mar­garet Mitchell

    22. Har­ry Pot­ter And The Philoso­pher’s Stone, JK Rowl­ing

    23. Har­ry Pot­ter And The Cham­ber Of Secrets, JK Rowl­ing

    24. Har­ry Pot­ter And The Pris­on­er Of Azk­a­ban, JK Rowl­ing

    25. The Hob­bit, JRR Tolkien

    26. Tess Of The D’Urbervilles, Thomas Hardy

    27. Mid­dle­march, George Eliot

    28. A Prayer For Owen Meany, John Irv­ing

    29. The Grapes Of Wrath, John Stein­beck

    30. Alice’s Adven­tures In Won­der­land, Lewis Car­roll

    31. The Sto­ry Of Tra­cy Beaker, Jacque­line Wil­son

    32. One Hun­dred Years Of Soli­tude, Gabriel Gar­cía Márquez

    33. The Pil­lars Of The Earth, Ken Fol­lett

    34. David Cop­per­field, Charles Dick­ens

    35. Char­lie And The Choco­late Fac­to­ry, Roald Dahl

    36. Trea­sure Island, Robert Louis Steven­son

    37. A Town Like Alice, Nevil Shute

    38. Per­sua­sion, Jane Austen

    39. Dune, Frank Her­bert

    40. Emma, Jane Austen

    41. Anne Of Green Gables, LM Mont­gomery

    42. Water­ship Down, Richard Adams

    43. The Great Gats­by, F Scott Fitzger­ald

    44. The Count Of Monte Cristo, Alexan­dre Dumas

    45. Brideshead Revis­it­ed, Eve­lyn Waugh

    46. Ani­mal Farm, George Orwell

    47. A Christ­mas Car­ol, Charles Dick­ens

    48. Far From The Madding Crowd, Thomas Hardy

    49. Good­night Mis­ter Tom, Michelle Mago­ri­an

    50. The Shell Seek­ers, Rosamunde Pilch­er

    51. The Secret Gar­den, Frances Hodg­son Bur­nett

    52. Of Mice And Men, John Stein­beck

    53. The Stand, Stephen King

    54. Anna Karen­i­na, Leo Tol­stoy

    55. A Suit­able Boy, Vikram Seth

    56. The BFG, Roald Dahl

    57. Swal­lows And Ama­zons, Arthur Ran­some

    58. Black Beau­ty, Anna Sewell

    59. Artemis Fowl, Eoin Colfer

    60. Crime And Pun­ish­ment, Fyo­dor Dos­toyevsky

    61. Noughts And Cross­es, Mal­o­rie Black­man

    62. Mem­oirs Of A Geisha, Arthur Gold­en

    63. A Tale Of Two Cities, Charles Dick­ens

    64. The Thorn Birds, Colleen McCol­lough

    65. Mort, Ter­ry Pratch­ett

    66. The Mag­ic Far­away Tree, Enid Bly­ton

    67. The Magus, John Fowles

    68. Good Omens, Ter­ry Pratch­ett and Neil Gaiman

    69. Guards! Guards!, Ter­ry Pratch­ett

    70. Lord Of The Flies, William Gold­ing

    71. Per­fume, Patrick Süskind

    72. The Ragged Trousered Phil­an­thropists, Robert Tres­sell

    73. Night Watch, Ter­ry Pratch­ett

    74. Matil­da, Roald Dahl

    75. Brid­get Jones’s Diary, Helen Field­ing

    76. The Secret His­to­ry, Don­na Tartt

    77. The Woman In White, Wilkie Collins

    78. Ulysses, James Joyce

    79. Bleak House, Charles Dick­ens

    80. Dou­ble Act, Jacque­line Wil­son

    81. The Twits, Roald Dahl

    82. I Cap­ture The Cas­tle, Dodie Smith

    83. Holes, Louis Sachar

    84. Gor­meng­hast, Mervyn Peake

    85. The God Of Small Things, Arund­hati Roy

    86. Vicky Angel, Jacque­line Wil­son

    87. Brave New World, Aldous Hux­ley

    88. Cold Com­fort Farm, Stel­la Gib­bons

    89. Magi­cian, Ray­mond E Feist

    90. On The Road, Jack Ker­ouac

    91. The God­fa­ther, Mario Puzo

    92. The Clan Of The Cave Bear, Jean M Auel

    93. The Colour Of Mag­ic, Ter­ry Pratch­ett

    94. The Alchemist, Paulo Coel­ho

    95. Kather­ine, Anya Seton

    96. Kane And Abel, Jef­frey Archer

    97. Love In The Time Of Cholera, Gabriel Gar­cía Márquez

    98. Girls In Love, Jacque­line Wil­son

    99. The Princess Diaries, Meg Cabot

    100. Mid­night’s Chil­dren, Salman Rushdie

    Relat­ed con­tent:

    800 Free eBooks for iPad, Kin­dle & Oth­er Devices

    The 10 Great­est Books Ever, Accord­ing to 125 Top Authors (Down­load Them for Free)

    The New York Times Presents the 100 Best Books of the 21st Cen­tu­ry, Select­ed by 503 Nov­el­ists, Poets & Crit­ics

    29 Lists of Rec­om­mend­ed Books Cre­at­ed by Well-Known Authors, Artists & Thinkers: Jorge Luis Borges, Pat­ti Smith, Neil DeGrasse Tyson, David Bowie & More

    The 100 Best Nov­els: A Lit­er­ary Crit­ic Cre­ates a List in 1898

    David Bowie’s Top 100 Books

    Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

    Greatest Novels Readers time
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