Iconic Animator Chuck Jones Creates an Oscar-Winning Animation About the Virtues of Universal Health Care (1949)

While our coun­try looks like it might be com­ing apart at the seams, it’s good to revis­it, every once in a while, moments when it did work. And that’s not so that we can feel nos­tal­gic about a lost time, but so that we can remind our­selves how, giv­en the right con­di­tions, things could work well once again.

One exam­ple from his­to­ry (and recent­ly redis­cov­ered by a num­ber of blogs dur­ing the AHCA deba­cle in Con­gress) is this gov­ern­ment pro­pa­gan­da film from 1949—the Har­ry S. Tru­man era—that pro­motes the idea of cra­dle-to-grave health care, and all for three cents a week. This mon­ey went to school nurs­es, nutri­tion­ists, fam­i­ly doc­tors, and neigh­bor­hood health depart­ments.

Direct­ed by Chuck Jones, bet­ter known for ani­mat­ing Bugs Bun­ny, Porky Pig, Daffy Duck, and the Road Run­ner, “So Much for So Lit­tle” fol­lows our main char­ac­ter from infancy—where doc­tors help immu­nize babies against whoop­ing cough, diph­the­ria, rheumat­ic fever, and smallpox—through school to dat­ing, mar­riage, becom­ing par­ents, and set­tling into a nice, healthy retire­ment. Along the way, the gov­ern­ment has made sure that health care is noth­ing to wor­ry about.

The film won an Acad­e­my Award in 1950 for Doc­u­men­tary Short Subject—not best sci-fi, despite how rad­i­cal this all sounds.

So what hap­pened? John Maher at the blog Dot and Line puts it this way:

Par­ti­san­ship and cap­i­tal­ism and racist zon­ing poli­cies shat­tered its ide­al­is­tic dream that Amer­i­cans might actu­al­ly pay com­mu­nal­ly for their health as well as that of their neigh­bors and fel­low cit­i­zens.

Three cents per Amer­i­can per week wouldn’t cut it now in terms of uni­ver­sal health cov­er­age. But accord­ing to Maher, quot­ing a 2009 Kingsepp study on the orig­i­nal Afford­able Care Act, tax­pay­ers would have to pay $3.61 a week.

So folks, don’t get despon­dent, get ide­al­is­tic. The Great­est Gen­er­a­tion came back from WWII with a grand ide­al­ism. Maybe this cur­rent gen­er­a­tion just needs to fight and defeat Nazis all over again…

Note: An ear­li­er ver­sion of this post appeared on our site in 2017.

Relat­ed Con­tent:

The Evo­lu­tion of Chuck Jones, the Artist Behind Bugs Bun­ny, Daffy Duck & Oth­er Looney Tunes Leg­ends: A Video Essay

How to Draw Bugs Bun­ny: A Primer by Leg­endary Ani­ma­tor Chuck Jones

Chuck Jones’ 9 Rules For Draw­ing Road Run­ner Car­toons, or How to Cre­ate a Min­i­mal­ist Mas­ter­piece

Chuck Jones’ The Dot and the Line Cel­e­brates Geom­e­try & Hard Work: An Oscar-Win­ning Ani­ma­tion (1965)

Ted Mills is a free­lance writer on the arts.